"Christe, qui lux es et dies: Christe, qui lux es et dies" by Robert White, Stile Antico was released on February 13, 2007. Christe, qui lux es et dies: Christe, qui lux es et dies is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Stile Antico's "Music for Compline: Tallis, Byrd, Sheppard" album is number 13 out of 17. Based on our statistics, Christe, qui lux es et dies: Christe, qui lux es et dies's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Christe, qui lux es et dies: Christe, qui lux es et dies by Robert White, Stile Antico to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peace I Leave With You | Amy Beach, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 1 | 5B | 79 BPM | ||
Regnum mundi et omne ornatum, IJL 13 | Jean L'héritier, Pro Musica, Szabó Dénes | F Major | 1 | 7B | 81 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Plainchant for Vespers I (Recollectio festorum beate Marie virginis): Antiphon: Vidi speciosam sicut columbam/Magnificat sexti toni | Guillaume Dufay, Mark Duer, Jeffrey Johnson, Peter Stewart, Kurt-Owen Richards, Alexander Blachly | F Major | 1 | 7B | 134 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Missa Sanctae Crucis, MH 56: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | B Major | 1 | 1B | 169 BPM | ||
Noel, Adieu Thou Court's Delight | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 1 | 1B | 136 BPM | ||
In coena Domini, MH 276: Judas mercator pessimus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Minor | 1 | 9A | 81 BPM |
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