"Symphony No. 4, "Serena borelis": I. Allegro ma non affettuoso" by Lepo Sumera, Jan Olof Jonsson, Malmö Symphony Orchestra, Paavo Järvi was released on September 30, 1994. Since Symphony No. 4, "Serena borelis": I. Allegro ma non affettuoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Sumera: Musica Tenera / Piano Concerto / Symphony No. 4". In this album, this song's track order is #4. In terms of popularity, Symphony No. 4, "Serena borelis": I. Allegro ma non affettuoso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 4, "Serena borelis": I. Allegro ma non affettuoso by Lepo Sumera, Jan Olof Jonsson, Malmö Symphony Orchestra, Paavo Järvi having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lamento d'Arianna | Claudio Monteverdi, Anastasia Kobekina, Azul Lima | F♯ Major | 2 | 2B | 142 BPM | ||
Danzas fantásticas, Op. 22: No. 3, Orgía (Arr. for Piano & String Orchestra by Roberto Coll) | Joaquín Turina, Concerto Málaga, Gil De Gálvez | D Major | 1 | 10B | 109 BPM | ||
In Such A Day | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 1 in C Major | Dmitri Shostakovich, Hannes Minnaar | G Minor | 1 | 6A | 81 BPM | ||
Alvorada, da ópera "Lo Schiavo" | Carlos Gomes, Cristian Budu | G Major | 3 | 9B | 107 BPM | ||
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins | Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Chanson sans paroles in E Minor | Alfons Szczerbiński, Giorgio Koukl | F Minor | 1 | 4A | 72 BPM | ||
Alvorada | Lah Albano, João Marcondes, Sonoras | A Major | 1 | 11B | 80 BPM |
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