- BPM
- 57
- Key
- A♭ Major
- Camelot
- 4B
Otello 1887: Ave Maria (Act 4) - Inessa Galante Information
- Acousticness
- 98%
- Danceability
- 24%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 50%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -29.837 dB
Summary
"Otello 1887: Ave Maria (Act 4)" by Inessa Galante was released on 2003. With this song being about 5 minutes long, at 5:01, "Otello 1887: Ave Maria (Act 4)" by Inessa Galante is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi Galante - Arias From Verdi's Late Works by Inessa Galante. The song's track number on the album is #9 out of 11 tracks. Otello 1887: Ave Maria (Act 4) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Otello 1887: Ave Maria (Act 4) BPM
Since Otello 1887: Ave Maria (Act 4) by Inessa Galante has a tempo of 57 beats per a minute, the tempo markings of this song would be Lento (slowly). With Otello 1887: Ave Maria (Act 4) being at 57 BPM, the half-time would be 28 BPM with a double-time of 114 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
Otello 1887: Ave Maria (Act 4) Key
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sposa, son disprezzata | Montserrat Caballé | F Minor | 1 | 4A | 106 BPM | |
 | Laudate Dominum | Wolfgang Amadeus Mozart, Lucia Popp, Kurt Eichhorn | A Major | 1 | 11B | 132 BPM | |
 | L'incoronazione di Poppea, SV 308 / Act 3: Pur ti miro | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 0 | 9B | 78 BPM | |
![Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] by Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti](https://i.scdn.co/image/ab67616d00001e024761ab90b0ac7e48fbb8fa5c) | Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 176 BPM | |
 | Peer Gynt, Op.23 - Incidental Music: No.19. Solveig's song | Edvard Grieg, Mary-Anne Haeggander, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 77 BPM | |
 | Agnus Dei (based on ADAGIO for Strings) | John Barry, Samuel Barber | B♭ Minor | 0 | 3A | 71 BPM | |
 | A idise mame | Maks Goldins, Inessa Galante, Vladimir Choclov, Jānis Bulvas | A Minor | 1 | 8A | 114 BPM | |
 | L'elisir d'amore: Act II: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | G Major | 1 | 9B | 112 BPM | |
 | Pergolesi: Stabat Mater: II. Cujus animam gementem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | G Major | 1 | 9B | 103 BPM | |
 | Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate Dominum | Wolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | F Major | 1 | 7B | 112 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6591429710388184
End: 0.6653881072998047