Herbert Spencer, Earle Hagen, The Spencer-Hagen Orchestra, Billy Vaughn, Charles Williams, Dolfvan der Linden, Dominico Savino, Eddie Barclay, Frederic Curzon, George Melachrino, Georges Devereaux, Guy Luypaerts, Harry Davidson, Ivor Slaney, Kermit Leslie, Kurt Rehfeld, Louis Voss, Otto Cesana, Peter Yorke, Richard Hayman, Robert Farnon, Roger Roger, Sidney Torch, Wally Stott, Billy Vaughn Orchestra, Orchestre des Champs-Élysées, Charles Williams Concert Orchestra, Danish State Radio Orchestra, Dolf van der Linden Orchestra, Eddie Barclay Orchestra, Guy Luypaerts Orchestra, Harry Davidson Orchestra, Ivor Slaney Orchestra, Kermit Leslie & Orchestra, L'Orchestre Devereaux, Louis Voss Orchestra, New Century Orchestra, New Concert Orchestra, Otto Cesana Orchestra, Peter Yorke Orchestra, Richard Hayman Orchestra, Roma Sympho-Pop Orchestra, Sidney Torch Orchestra, Stuttgart Radio Orchestra, The Melachrino Orchestra, Wally Stott Orchestra made "Side Car" available on January 1, 2007. The duration of Side Car is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Side Car's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "The Golden Age of Light Music: Light Music on the Move". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Side Car's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Side Car by Herbert Spencer, Earle Hagen, The Spencer-Hagen Orchestra, Billy Vaughn, Charles Williams, Dolfvan der Linden, Dominico Savino, Eddie Barclay, Frederic Curzon, George Melachrino, Georges Devereaux, Guy Luypaerts, Harry Davidson, Ivor Slaney, Kermit Leslie, Kurt Rehfeld, Louis Voss, Otto Cesana, Peter Yorke, Richard Hayman, Robert Farnon, Roger Roger, Sidney Torch, Wally Stott, Billy Vaughn Orchestra, Orchestre des Champs-Élysées, Charles Williams Concert Orchestra, Danish State Radio Orchestra, Dolf van der Linden Orchestra, Eddie Barclay Orchestra, Guy Luypaerts Orchestra, Harry Davidson Orchestra, Ivor Slaney Orchestra, Kermit Leslie & Orchestra, L'Orchestre Devereaux, Louis Voss Orchestra, New Century Orchestra, New Concert Orchestra, Otto Cesana Orchestra, Peter Yorke Orchestra, Richard Hayman Orchestra, Roma Sympho-Pop Orchestra, Sidney Torch Orchestra, Stuttgart Radio Orchestra, The Melachrino Orchestra, Wally Stott Orchestra having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Adagio for Organ & Strings G Minor | Tomaso Albinoni, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | C Major | 4 | 8B | 115 BPM | ||
Simple Symphony, Op. 4: Playful Pizzacato | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | C Major | 1 | 8B | 129 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Simone Dinnerstein, José Antonio Méndez Padrón | F Major | 0 | 7B | 182 BPM | ||
Madama Butterfly - Opera in two acts (1986 Digital Remaster), Act II: Humming Chorus | Giacomo Puccini, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gianni Lazzari, Sir John Barbirolli | B♭ Major | 0 | 6B | 74 BPM | ||
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Andante cantabile | Ludwig van Beethoven, Wolfgang Amadeus Mozart, Paul Lewis | B Minor | 0 | 10A | 66 BPM | ||
John Dunbar Theme - From "Dances With Wolves" | John Barry, Hollywood Bowl Orchestra, John Mauceri | E♭ Major | 1 | 5B | 98 BPM | ||
Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
Liszt: Liebestraum No. 3 in A-Flat Major, S. 541: III. "O lieb so lang du lieben kannst" | Franz Liszt, Sophie Pacini | A♭ Major | 1 | 4B | 72 BPM |
Section: 0.7662172317504883
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