"Telemann: Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: IV. —" by Georg Philipp Telemann, Maurice André, Sir Charles Mackerras, English Chamber Orchestra was released on January 13, 2023. With Telemann: Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: IV. — being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 32 out of 40 in English Chamber Orchestra - Bach, Handel & Telemann by English Chamber Orchestra, Georg Philipp Telemann, George Frideric Handel, Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Telemann: Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: IV. — is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Telemann: Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: IV. — by Georg Philipp Telemann, Maurice André, Sir Charles Mackerras, English Chamber Orchestra is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Concerto à 4 in G Major, TWV 43:G13: I. Moderato | Georg Philipp Telemann, Concerto Melante | F♯ Major | 1 | 2B | 79 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: II. Adagio | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | C Minor | 1 | 5A | 116 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Concerto in D Minor; Op. 6 No. 5: II. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 3 | 12A | 135 BPM | ||
Sonata in D Major, No. 1: II. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | D♭ Major | 2 | 3B | 109 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM |
Section: 0.6708440780639648
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