"Encantamento" by Camargo Guarnieri, Simón Bolívar Symphony Orchestra Of Venezuela, Maximiano Valdes had its release date on February 1, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 9 in Caramelos Latinos by Maximiano Valdes. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Encantamento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Encantamento by Camargo Guarnieri, Simón Bolívar Symphony Orchestra Of Venezuela, Maximiano Valdes is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): II. Danses suisses | Igor Stravinsky, Thomas Adès, Anthony Marwood | D Minor | 2 | 7A | 100 BPM | ||
Riflessi trasfigurati | Aurelio Scotto | D Major | 0 | 10B | 134 BPM | ||
Esta chumbado | Ernesto Nazareth, Antoine Zemor | D♭ Major | 1 | 3B | 172 BPM | ||
2 Pieces, TN ii/17: No. 1, Morceau de fantaisie | Sergei Rachmaninoff, Elena Dorozhkina | C Minor | 2 | 5A | 135 BPM | ||
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Zwei Dialoge mit Nachwort: 1. Hochzeitswalzer | Valentin Silvestrov, Alexei Lubimov, Munich Chamber Orchestra, Christoph Poppen | F♯ Major | 0 | 2B | 175 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): III. Fugue. Allegretto ma non troppo | César Franck, Jean-Pierre Armengaud | B♭ Minor | 2 | 3A | 94 BPM | ||
Fantazia of Foure Parts | Orlando Gibbons, Mishka Rushdie Momen | A Minor | 0 | 8A | 64 BPM | ||
Trois morceaux pour piano: No. 2, D'un jardin claire | Lili Boulanger, Sheila Arnold | A Major | 3 | 11B | 69 BPM | ||
Études-Tableaux, Op. 33: No. 2 in C Major (Allegro) | Sergei Rachmaninoff, Nikolai Lugansky | E Major | 2 | 12B | 101 BPM |