"Widmung, S. 566 (After R. Schumann): Schumann - Liebeslied, S566/R253, "Widmung"" by Franz Liszt, Gábor Farkas was released on January 20, 2017. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Liszt, Gábor Farkas's "Liszt: Opera & Song for Solo Piano" album is number 9 out of 10. Widmung, S. 566 (After R. Schumann): Schumann - Liebeslied, S566/R253, "Widmung" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Widmung, S. 566 (After R. Schumann): Schumann - Liebeslied, S566/R253, "Widmung" by Franz Liszt, Gábor Farkas to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto | Johannes Brahms, Tal & Groethuysen | G Minor | 1 | 6A | 70 BPM | ||
Treasury of Melodies, JB 1:49: I. Preludium. Lento | Bedřich Smetana, Jitka Čechová | D Major | 0 | 10B | 119 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D♭ Major | 0 | 3B | 87 BPM | ||
18 Morceaux, Op. 72, TH 151: 5. Méditation | Pyotr Ilyich Tchaikovsky, Vladimir Ashkenazy | A Major | 1 | 11B | 130 BPM | ||
10 Cantos populares: No. 1. — | Carlos Guastavino, Mirian Conti | F Major | 0 | 7B | 68 BPM | ||
Pour bercer un convalescent for Two Pianos: III. Andantino espressivo | Reynaldo Hahn, Tal & Groethuysen | A Major | 0 | 11B | 56 BPM | ||
Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | ||
Sonata in D Minor, Kk. 32: Aria | Domenico Scarlatti, Claire Huangci | D♭ Minor | 4 | 12A | 153 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
18 Études, Op. 109: No. 7, Berceuse | Franz Burgmüller, Carl Petersson | F Major | 0 | 7B | 85 BPM |
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