Mark-Anthony Turnage, Hilary Hahn, Cory Smythe made "Hilary’s Hoedown" available on January 1, 2013. The duration of Hilary’s Hoedown is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Hilary’s Hoedown's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hilary Hahn, Cory Smythe's "In 27 Pieces: the Hilary Hahn Encores" album is number 3 out of 27. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Hilary’s Hoedown's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hilary’s Hoedown by Mark-Anthony Turnage, Hilary Hahn, Cory Smythe to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Night Dances: 1. Prelude | Mark-Anthony Turnage, Gareth Hulse, John Constable, Helen Tunstall, John Wallace, London Sinfonietta, Oliver Knussen | G Major | 0 | 9B | 80 BPM | ||
Greek - Act 2: Scene 4a (Eddy's Return) | Mark-Anthony Turnage, Helen Charnock, Fiona Kimm, Richard Suart, Quentin Hayes, The Greek Ensemble, Richard Bernas | D♭ Major | 1 | 3B | 170 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Starburst | Jessie Montgomery, Unknown Artist, Julian Wachner | A Major | 2 | 11B | 110 BPM | ||
Saxophone Quartet B Major, Op. 109: I. Allegro | Alexander Glazunov, Signum Saxophone Quartet | F Major | 5 | 7B | 141 BPM | ||
Tout un monde lointain…: II. Regard | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Fantasia for Cello & Orchestra, W454: II. Molto vivace | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | G Minor | 1 | 6A | 105 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM | ||
Scorched - based on Tunes by John Scofield: Kubrick | Mark-Anthony Turnage, John Scofield, John Patitucci, Peter Erskine, Frankfurt Radio Symphony Orchestra, hr-Bigband, Hugh Wolff | C Major | 4 | 8B | 88 BPM |
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