Dietrich Buxtehude, Peter Scholl's 'Orgelmusik zum Ausklang: Nun lob, mein Seel, den Herren' came out on August 25, 2015. The duration of Orgelmusik zum Ausklang: Nun lob, mein Seel, den Herren is about 3 minutes long, at 3:19. Based on our data, "Orgelmusik zum Ausklang: Nun lob, mein Seel, den Herren" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 15 in Bleib bei mir, Herr - Choral Evensong by Bach-Chor Siegen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Orgelmusik zum Ausklang: Nun lob, mein Seel, den Herren is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orgelmusik zum Ausklang: Nun lob, mein Seel, den Herren by Dietrich Buxtehude, Peter Scholl is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus, RV 608: II. Vanum est vobis | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Samson, HWV 57: Samson, HWV 57, Sinfonia: I. Andante | George Frideric Handel, Peter Whelan, Irish Baroque Orchestra | F♯ Major | 2 | 2B | 176 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Dies irae, LWV 64/1: Liber scriptus proferetur | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | E Major | 4 | 12B | 120 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 118 BPM | ||
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A♭ Minor | 0 | 1A | 119 BPM | ||
Actéon, H. 481, Scene I: Allons, marchons, courons | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 4 | 3B | 152 BPM | ||
Mit Fried und Freud ich fahr dahin, BuxWV76b: Klaglied (Alt) | Dietrich Buxtehude, Maarten Engeltjes, PRJCT Amsterdam, Robert Smith, Alon Portal, Asako Ueda, Edoardo Valorz | E♭ Minor | 0 | 2A | 75 BPM | ||
Concerto VI in B Minor: I. Largo | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM |
Section: 0.5757153034210205
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