Jacques Offenbach, Anne Sofie von Otter, Jean-Luc Chaignaud, Cheryl Studer, Samuel Ramey, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate made "Les Contes d'Hoffmann / Act 4: "A merveille Madame!"" available on January 1, 1992. The duration of Les Contes d'Hoffmann / Act 4: "A merveille Madame!" is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Les Contes d'Hoffmann / Act 4: "A merveille Madame!"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. Les Contes d'Hoffmann / Act 4: "A merveille Madame!" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Les Contes d'Hoffmann / Act 4: "A merveille Madame!" by Jacques Offenbach, Anne Sofie von Otter, Jean-Luc Chaignaud, Cheryl Studer, Samuel Ramey, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
The Barber of Seville: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | E Major | 2 | 12B | 175 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Offenbach: Les Contes d'Hoffman, Act 1: "Voyons? Pour Hoffmann!" (Lindorf) | Jacques Offenbach, Kent Nagano, Orchestre De L'Opéra National De Lyon, Martin Sauer | A♭ Minor | 3 | 1A | 79 BPM | ||
Violin Concerto No. 1 in E Major, RV 269 "La primavera": 1. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, Jan Jansen | E Major | 2 | 12B | 105 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Non ti scordar di me (Arr. for Soprano, Tenor and Orchestra by Giancarlo Chiaramello) | Ernesto de Curtis, Anna Netrebko, Yusif Eyvazov, Royal Philharmonic Orchestra, Jader Bignamini | A Major | 2 | 11B | 81 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Offenbach: Les Contes d'Hoffman, Act 2: "Une poupée aux yeux d'émail" (Nicklausse, Hoffmann) | Jacques Offenbach, Kent Nagano, Orchestre De L'Opéra National De Lyon, Martin Sauer | D Major | 1 | 10B | 121 BPM |
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