- BPM
- 80
- Key
- B Major
- Camelot
- 1B
Stabat mater, Op. 58, B. 71: Fac me tecum flere - Antonín Dvořák, Christian Elsner, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss Jansons Information
- Acousticness
- 97%
- Danceability
- 15%
- Energy
- 9%
- Instrumentalness
- 42%
- Liveness
- 25%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 9%
- Popularity
- 7%
- Loudness
- -20.988 dB
Summary
"Stabat mater, Op. 58, B. 71: Fac me tecum flere" by Antonín Dvořák, Christian Elsner, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss Jansons was released on January 1, 2016. Since Stabat mater, Op. 58, B. 71: Fac me tecum flere is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 10 in Dvořák: Stabat mater, Op. 58 by Antonín Dvořák, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss Jansons. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Stabat mater, Op. 58, B. 71: Fac me tecum flere is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Stabat mater, Op. 58, B. 71: Fac me tecum flere BPM
The tempo marking of Stabat mater, Op. 58, B. 71: Fac me tecum flere by Antonín Dvořák, Christian Elsner, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss Jansons is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Stabat mater, Op. 58, B. 71: Fac me tecum flere Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | |
 | Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | |
 | Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | |
 | Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | |
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | |
 | 13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | |
 | Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM |
- ISRC
- DELW71514206
- Label
- L-M Records/RCA Records
Section: 0.6442074775695801
End: 0.6491818428039551