"Troisième Leçon du Vendredy: V. Lassis non dabatur" by Michel Richard Delalande, Sophie Karthäuser, Sébastien Daucé, Ensemble Correspondances was released on March 9, 2015. With Troisième Leçon du Vendredy: V. Lassis non dabatur being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé, Sophie Karthäuser's "Lalande: Leçons de Ténèbres" album is number 37 out of 44. Troisième Leçon du Vendredy: V. Lassis non dabatur is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Troisième Leçon du Vendredy: V. Lassis non dabatur by Michel Richard Delalande, Sophie Karthäuser, Sébastien Daucé, Ensemble Correspondances to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert de Trompettes: 2e Air des Echos | Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne | C Major | 2 | 8B | 105 BPM | ||
Stabat Mater, P. 77: VII. Eia Mater | Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM | ||
Céphale et Procris, Prologue: Loure | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Sonata a 7 for 2 Trumpets in D Major: I. Grave | Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Minor | 1 | 9A | 66 BPM | ||
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Armide, LWV 71, Prologue: Que dans le temple de mémoire | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Vivaldi: Giustino, RV 717, Act 1 Scene 1: No. 1a, Aria, "Viva Augusto eterno impero" (Arianna, Chorus) | Antonio Vivaldi, Marina Comparato, Dominique Labelle, Francesca Provvisionato, Geraldine McGreevy, Leonardo de Lisi, Laura Cherici, Il Complesso Barocco, Alan Curtis | C Major | 1 | 8B | 90 BPM | ||
Première Caprice, Caprice de Villers-Cotterets: Fierement et detaché - Gracieusement - Un peu plus gay – Viste | Michel Richard Delalande, Jürgen Groß, Elbipolis Barockorchester Hamburg | D♭ Major | 2 | 3B | 90 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM |
Section: 0.643420934677124
End: 0.6477382183074951