"Symphony No. 3 in C Major, "Sinfonie singuliere": I. Allegro fuocoso" by Franz Berwald, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen was released on March 1, 2012. Symphony No. 3 in C Major, "Sinfonie singuliere": I. Allegro fuocoso appears to be safe for all ages as it is not explicit. The song is number 5 out of 7 in Berwald: Sinfonie No. 4 (naïve), Sinfonie singulière (No. 3) / Symphonies Nos. 3 and 4 by Franz Berwald, Esa-Pekka Salonen. Symphony No. 3 in C Major, "Sinfonie singuliere": I. Allegro fuocoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3 in C Major, "Sinfonie singuliere": I. Allegro fuocoso by Franz Berwald, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symhonie fantastique Op. 14: Songe d'une nuit de sabbat | Berliner Philharmoniker, Rudolf Kempe | G Minor | 3 | 6A | 110 BPM | ||
Sinfonia In E Flat Major, Wq. 183/2, H. 664: III. Allegretto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Phantasie über Mozart's "Là ci darem la mano" | Franz Danzi, Martin Fröst, Singapore Symphony Orchestra, Lan Shui | B♭ Major | 0 | 6B | 67 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Ouverture en Do | Fanny Mendelssohn, Sora Elisabeth Lee, Orchestre Pasdeloup | C Major | 1 | 8B | 145 BPM | ||
Bartók / Compl. Serly: Viola Concerto, Sz. 120: III. Allegro Vivace | Béla Bartók, Tabea Zimmermann, David Shallon, Bavarian Radio Symphony Orchestra | D♭ Major | 0 | 3B | 64 BPM | ||
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VII. Der stürmende Aeolus | Georg Philipp Telemann, Robert King, The King's Consort | F♯ Major | 5 | 2B | 140 BPM | ||
Summer Night - Suite from 'The Duenna', Op. 123: 3. Minuet | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 131 BPM | ||
Concerto For Oboe And Strings: 2. Minuet & Musette | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 88 BPM |
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