"4 Sacred Hymns for Male Voice & Orchestra: No. 4. Salvete Christi vulnera" by Goffredo Petrassi, Vasily Ladyuk, Orchestra Teatro Regio Torino, Gianandrea Noseda was released on 2015. 4 Sacred Hymns for Male Voice & Orchestra: No. 4. Salvete Christi vulnera is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Petrassi: Works for Voices & Orchestra". In this album, this song's track order is #7. 4 Sacred Hymns for Male Voice & Orchestra: No. 4. Salvete Christi vulnera is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Sacred Hymns for Male Voice & Orchestra: No. 4. Salvete Christi vulnera by Goffredo Petrassi, Vasily Ladyuk, Orchestra Teatro Regio Torino, Gianandrea Noseda having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in C Major: I. Allegro moderato: section 5 | Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend | E Major | 0 | 12B | 101 BPM | ||
The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 13, I Went to Heaven | Leo Smit, Georgine Resick, Warren Jones | D Major | 1 | 10B | 76 BPM | ||
Concerto for Orchestra No. 1: II. Adagio | Goffredo Petrassi, Netherlands Radio Symphony Orchestra, Arturo Tamayo | B♭ Major | 0 | 6B | 90 BPM | ||
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
L’invitation au voyage | Henri Duparc, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Symphony: III. Allegro deciso | Ernest Bloch, Christian Lindberg, Swedish Radio Symphony Orchestra, Leif Segerstam | F Major | 1 | 7B | 93 BPM | ||
Daphnis et Chloé, M. 57, Première Partie. Une prairie à la lisière d'un bois sacré: No. 2, Danse générale | Maurice Ravel, Sinfonia Of London, John Wilson | D♭ Major | 3 | 3B | 86 BPM |
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