"Requiem, Op. 9: VII. Lux aeterna" by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole was released on March 1, 2024. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 13 in Duruflé: Requiem; Poulenc: Lenten Motets by The Choir Of Trinity College, Cambridge, Stephen Layton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem, Op. 9: VII. Lux aeterna is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: VII. Lux aeterna by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Popularis: V. Agnus Dei | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | B Minor | 1 | 10A | 139 BPM | ||
Mass for Four Voices: I. Kyrie eleison | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | E♭ Major | 2 | 5B | 85 BPM | ||
4 Motets pour un temps de pénitence, FP 97: No. 2, Vinea mea electa | Francis Poulenc, The Choir Of Trinity College, Cambridge, Stephen Layton | F♯ Major | 2 | 2B | 132 BPM | ||
Annelies (chamber version): IV. The last night at home and arrival at the Annexe | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | D Minor | 1 | 7A | 71 BPM | ||
Ah Robin | William Cornysh, Max Thomas, Benjamin Seward, Luke Rowe, Henry Isaacs, Leo Dolan, Myron Buist, Mark Williams | C Minor | 1 | 5A | 93 BPM | ||
Northern Lights | Ēriks Ešenvalds, Stephen Layton, The Choir Of Trinity College, Cambridge | C Minor | 1 | 5A | 176 BPM | ||
Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
Drop down, ye heavens, from above | Judith Weir, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D Minor | 1 | 7A | 77 BPM | ||
Romanzen, Book 1, Op. 69: No. 3. Klosterfraulein | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 190 BPM | ||
Geistliches Lied | Johannes Brahms, The Choir Of Trinity College, Cambridge | E♭ Major | 1 | 5B | 137 BPM |
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