"Petrouchka / Tableau IV: Fête populaire de la semaine grasse, le soir" by Igor Stravinsky, Cleveland Orchestra, Pierre Boulez was released on January 1, 1992. Petrouchka / Tableau IV: Fête populaire de la semaine grasse, le soir appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Stravinsky: Petrouchka; Le Sacre du Printemps". In this album, this song's track order is #4. Based on our statistics, Petrouchka / Tableau IV: Fête populaire de la semaine grasse, le soir's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petrouchka / Tableau IV: Fête populaire de la semaine grasse, le soir by Igor Stravinsky, Cleveland Orchestra, Pierre Boulez having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 27 in B-Flat Major, K. 595: 2. Larghetto - Live | Wolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland Orchestra | E♭ Major | 0 | 5B | 72 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Symphony No. 7 in C Major, Op. 105: Allegro molto moderato - Allegro moderato - | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 81 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Rondo (Allegretto) | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | E♭ Major | 1 | 5B | 150 BPM | ||
Das Lied von der Erde: Von der Schönheit | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 135 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Schumann: Symphony No. 4 in D Minor, Op. 120: II. Romance (Ziemlich langsam) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | A Minor | 1 | 8A | 107 BPM | ||
Trio in A Minor, Op. 114: III. Andantino grazioso | Johannes Brahms, Martin Fröst, Roland Pöntinen, Torleif Thedéen | A Major | 0 | 11B | 75 BPM | ||
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM |
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