"無伴奏チェロ組曲 第1番 ト長調 BWV 1007: V. Menuet I / II" by Johann Sebastian Bach, Tamas Varga was released on 2017. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Tamas Varga's "J. S. バッハ:無伴奏チェロ組曲全曲" album is number 5 out of 36. On top of that, Japan appears to be the country where this track was created. 無伴奏チェロ組曲 第1番 ト長調 BWV 1007: V. Menuet I / II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 無伴奏チェロ組曲 第1番 ト長調 BWV 1007: V. Menuet I / II by Johann Sebastian Bach, Tamas Varga to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 32, Aria mit Choral. "Mein teurer Heiland" | Johann Sebastian Bach, Ton Koopman, De Nederlandse Bachvereniging, Klaus Mertens, Amsterdam Baroque Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Suite in G Minor, BWV 822: Overture in G Minor, BWV 822: V. Menuet I (arr. for piano) | Anonymous, Johann Sebastian Bach, Jenő Jandó | G Minor | 1 | 6A | 122 BPM | ||
Sonata No. 2 in A Minor, BWV 1003: I. Grave | Johann Sebastian Bach, Andrej Kurti | D♭ Minor | 1 | 12A | 89 BPM | ||
Kleine Präludien: No.7 in G Minor, BWV 930 | Inge Rosar | C Major | 1 | 8B | 147 BPM | ||
Magnificat Fugue Primi Toni XX, P276 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
L'art de toucher le clavecin: No. 8, Prelude in E Minor | François Couperin, Andrew Appel | C Major | 5 | 8B | 72 BPM | ||
Der Himmel lacht, die Erde jubilieret, BWV 31: So fahr ich hin zu Jesu Christ (Chorus) | Johann Sebastian Bach, Monika Frimmer, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki | D Major | 1 | 10B | 108 BPM | ||
BWV 31: «So fahr ich hin zu Jesu Christ» Schlusschoral - Live | Rudolf Lutz, Johann Sebastian Bach, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Ulrike Hofbauer, Alex Potter, Makoto Sakurada, Wolf Matthias Friedrich | A♭ Major | 0 | 4B | 84 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM |
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