Krzysztof Penderecki, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester made "Penderecki: Flute Concerto: VI. Vivace" available on October 25, 2019. With Penderecki: Flute Concerto: VI. Vivace being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 14 in Dreamtime by Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester. In terms of popularity, Penderecki: Flute Concerto: VI. Vivace is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Penderecki: Flute Concerto: VI. Vivace by Krzysztof Penderecki, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Little Book of Hours: VI. Singing Sun | Peter Sculthorpe, Elena Riu | B♭ Major | 0 | 6B | 79 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Viola Concerto (Arr. P. Przedbora for Guitar & Orchestra): II. Vivace | Krzysztof Penderecki, Polish Sinfonia Iuventus Orchestra, Piotr Przedbora | D Minor | 2 | 7A | 132 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: Andante | Dmitri Shostakovich, Konstantin Scherbakov | G Major | 0 | 9B | 100 BPM | ||
Martynov: "Come in!", Movement II | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 82 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
St. Luke Passion, Pt. 1: No. 13, Et surgens omnis (Live) | Krzysztof Penderecki, Lucas Meachem, Matthew Rose, Slawomir Holland, Warsaw Boys Choir, Kraków Philharmonic Chorus, Orchestre Symphonique de Montréal, Kent Nagano, Krzysztof Kusiel-Moroz, Teresa Majka-Pacane | E Minor | 1 | 9A | 107 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |
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