- BPM
- 59
- Key
- F Minor
- Camelot
- 4A
Bach, JS: Johannes-Passion, BWV 245, Pt. 1: No. 4, Rezitativ. "Auf daß das Wort erfüllet würde" - Johann Sebastian Bach, Karl Forster, Dietrich Fischer-Dieskau, Fritz Wunderlich, Berliner Symphoniker Information
- Acousticness
- 95%
- Danceability
- 16%
- Energy
- 14%
- Instrumentalness
- 5%
- Liveness
- 11%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 2%
- Loudness
- -17.329 dB
Summary
"Bach, JS: Johannes-Passion, BWV 245, Pt. 1: No. 4, Rezitativ. "Auf daß das Wort erfüllet würde"" by Johann Sebastian Bach, Karl Forster, Dietrich Fischer-Dieskau, Fritz Wunderlich, Berliner Symphoniker was released on January 1, 1962. With Bach, JS: Johannes-Passion, BWV 245, Pt. 1: No. 4, Rezitativ. "Auf daß das Wort erfüllet würde" being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 68 in Bach: Johannes-Passion, BWV 245 by Johann Sebastian Bach, Karl Forster, Berliner Symphoniker, Dietrich Fischer-Dieskau, Christa Ludwig, Fritz Wunderlich, Elisabeth Grümmer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bach, JS: Johannes-Passion, BWV 245, Pt. 1: No. 4, Rezitativ. "Auf daß das Wort erfüllet würde" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bach, JS: Johannes-Passion, BWV 245, Pt. 1: No. 4, Rezitativ. "Auf daß das Wort erfüllet würde" BPM
The tempo marking of Bach, JS: Johannes-Passion, BWV 245, Pt. 1: No. 4, Rezitativ. "Auf daß das Wort erfüllet würde" by Johann Sebastian Bach, Karl Forster, Dietrich Fischer-Dieskau, Fritz Wunderlich, Berliner Symphoniker is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Bach, JS: Johannes-Passion, BWV 245, Pt. 1: No. 4, Rezitativ. "Auf daß das Wort erfüllet würde" Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Johannes-Passion, BWV 245, Pt. 1: No. 4, Recitative: Auf dass das Wort erfüllet würde | Johann Sebastian Bach, La Petite Bande, Sigiswald Kuijken, Christoph Genz, Jens Hamann | D♭ Major | 1 | 3B | 93 BPM | |
 | "Gott ist mein König" BWV 71 | Johann Sebastian Bach, Ton Koopman | D♭ Major | 1 | 3B | 118 BPM | |
 | Am Abend aber desselbigen Sabbats, BWV 42: Sinfonia | Johann Sebastian Bach, Gillian Keith, Daniel Taylor, Charles Daniels, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 4 | 6B | 129 BPM | |
 | Matthäus Passion, BWV 244, Pt. 1, Jesus' Despair on the Mount of Olives: XVIII. Recitative (Evangelist/Jesus) I, Da kam Jesus mit ihnen zu einem Hofe | Johann Sebastian Bach, Rufus Müller, Richard Jackson, Nancy Argenta, Lynda Lee, Jonathan Peter Kenny, Jamie MacDougall, Stephen Varcoe, Paul Goodwin, Jonathan Miller | A♭ Minor | 0 | 1A | 67 BPM | |
 | III. Freue Dich, Erlöste Schar BWV 30, For The Feast Of John Baptist, Am Sonntag Cantate, Prima Parte: Choral (Coro), Eine Stimme Läßt Sich Hören | Pieter Jan Leusink, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Louis Van Emmerik, Doretthe Janssens, Holland Boys Choir; Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Oeds Van Middelkoop, Peter Frankenberg, Susanne Grutzmacher | D♭ Major | 2 | 3B | 85 BPM | |
 | I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton | B Major | 3 | 1B | 90 BPM | |
 | III. Herr, Gehe Nicht Ins Gericht BWV 105, 1. Coro: Herr, Gehe Nicht Ins Gericht | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Bas Ramselaar, Marjon Strijk, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Peter Frankenberg, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 89 BPM | |
 | Matthäus-Passion, BWV 244, Seconda parte: Nr.41. Des Morgens aber hielten alle Hohenpriester (Evangelista, Judas) | Johann Sebastian Bach, Etienne Bazola, Georg Finger, Julian Prégardien, Ensemble Pygmalion, Raphael Pichon | C Minor | 2 | 5A | 113 BPM | |
 | Christ lag in Todesbanden, BWV 4: VII. Verse 6. So feiern wir das hohe Fest | Johann Sebastian Bach, Thomanerchor Leipzig, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd Schulze | E Minor | 2 | 9A | 81 BPM | |
 | Johannes-Passion, BWV 245, Pt. 1: X. Derselbige Jünger (Recitative) | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Maximilian Schmitt, Magdalena Podkościelna, Philipp Kaven, Krešimir Stražanac, Stephan Gähler | D Major | 8 | 10B | 132 BPM |
- ISRC
- DEA340701172
- Label
- L-M Records/RCA Records
Section: 0.8822929859161377
End: 0.8885364532470703