Johann Sebastian Bach, Etienne Bazola, Georg Finger, Julian Prégardien, Ensemble Pygmalion, Raphael Pichon's 'Matthäus-Passion, BWV 244, Seconda parte: Nr.41. Des Morgens aber hielten alle Hohenpriester (Evangelista, Judas)' came out on March 11, 2022. With Matthäus-Passion, BWV 244, Seconda parte: Nr.41. Des Morgens aber hielten alle Hohenpriester (Evangelista, Judas) being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Stéphane Degout, Sabine Devieilhe, Lucile Richardot, Christian Immler, Reinoud Van Mechelen, Maitrise De Radio France's "J. S. Bach: Matthäus-Passion, BWV 244" album is number 12 out of 68. On top of that, France appears to be the country where this track was created. In terms of popularity, Matthäus-Passion, BWV 244, Seconda parte: Nr.41. Des Morgens aber hielten alle Hohenpriester (Evangelista, Judas) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Matthäus-Passion, BWV 244, Seconda parte: Nr.41. Des Morgens aber hielten alle Hohenpriester (Evangelista, Judas) by Johann Sebastian Bach, Etienne Bazola, Georg Finger, Julian Prégardien, Ensemble Pygmalion, Raphael Pichon to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Ich fahre auf zu meinem Vater, TWV 1:825: II. Recitative "Was sollt ich dieses nicht im Glauben hoffen" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Raphael Höhn | F♯ Major | 2 | 2B | 137 BPM | ||
II. Es Ist Nichts Gesundes An Meinem Leibe BWV 25, 4. Recitativo (Soprano): O Jesu, Lieber Meister | Pieter Jan Leusink, Anneke Boek, Marjon Strijk, Frank Wakelkamp, Katherin Steddon, Johann Sebastian Bach, Fumitaka Saito, Vaughan Schlepp, Knut Schoch, Peter Frankenberg, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Eduard Wesley, Bas Ramselaar | F♯ Major | 2 | 2B | 129 BPM | ||
Matthäus Passion, Prima Parte: 19. Recitative (Tenor) With Chorale: O Schmerz! Hier Zittert Das Gequälte Herz | Stephen Cleobury, Martyn Hill, Rogers Covey-Crump, Johann Sebastian Bach, Choir of King's College, Cambridge, David Thomas, Michael Chance, Emma Kirkby, Michael George | E Minor | 1 | 9A | 130 BPM | ||
Gott fähret auf mit Jauchzen BWV 43 - Seconda parte | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Johannete Zomer, Sandrine Piau, Sibylla Rubens, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer | D Minor | 5 | 7A | 122 BPM | ||
I. Nun Danket Alle Gott BWV 192, (3) Coro: Lob, Ehr Und Preis Sei Gott | Pieter Jan Leusink, Sytse Buwalda, Knut Schoch, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Peter Frankenberg, Johann Sebastian Bach, Marjon Strijk, Kristin Linde, Doretthe Janssens, Marion Moonen | D♭ Major | 3 | 3B | 53 BPM | ||
Sie werden euch in den Bann tun BWV 183: Chorale: Du bist ein Geist, der lehret | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Deborah York, Sandrine Piau, Johannette Zomer | D Minor | 5 | 7A | 111 BPM | ||
Ach Gott, vom Himmel sieh darein, BWV 2: Recitative: Die Armen sind verstort (Bass) | Johann Sebastian Bach, Daniel Taylor, James Gilchrist, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 9 | 10B | 154 BPM | ||
Concerto For 2 Keyboards in C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Matthäus-Passion, BWV 244, Prima parte: Nr.21. Und ging hin ein wenig (Evangelista, Jesus) | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Stéphane Degout | A♭ Minor | 0 | 1A | 98 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM |
Section: 0.6210319995880127
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