Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Noires forests, demeures sombres" (Endimion)
Antoine Boësset, Caroline Bardot, Stephen Collardelle, Davy Cornillot, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé
Le Concert royal de la Nuit
3:09 September 3, 2015
BPM
83
Key
E♭ Major
Camelot
5B

Embed

Share Link

Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Noires forests, demeures sombres" (Endimion) - Antoine Boësset, Caroline Bardot, Stephen Collardelle, Davy Cornillot, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé Information

Acousticness
99%
Danceability
11%
Energy
13%
Instrumentalness
1%
Liveness
10%
Loudness
68%
Speechiness
4%
Valence
10%
Popularity
Loudness
-19.045 dB

Summary

"Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Noires forests, demeures sombres" (Endimion)" by Antoine Boësset, Caroline Bardot, Stephen Collardelle, Davy Cornillot, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé was released on September 3, 2015. The duration of Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Noires forests, demeures sombres" (Endimion) is about 3 minutes long, at 3:09. Based on our data, "Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Noires forests, demeures sombres" (Endimion)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 31 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Noires forests, demeures sombres" (Endimion) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Noires forests, demeures sombres" (Endimion) BPM

We consider the tempo marking of Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Noires forests, demeures sombres" (Endimion) by Antoine Boësset, Caroline Bardot, Stephen Collardelle, Davy Cornillot, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.

Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Noires forests, demeures sombres" (Endimion) Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Frescobaldi: Arie musicali, Libro 1: No. 16, Aria di Passacaglia. Frescobaldi: Arie musicali, Libro 1: No. 16, Aria di Passacaglia. "Così mi disprezzate?"Girolamo Frescobaldi, Jakub Józef Orliński, Il Pomo D'oroF Major27B103 BPM
Madrigali guerrieri, et amorosi: Lamento della ninfa, SV 163 by Claudio Monteverdi, Magdalena Kozená, Jakob Pilgram, Michael Feyfar, Luca Tittoto, La Cetra Barockorchester Basel, Andrea MarconMadrigali guerrieri, et amorosi: Lamento della ninfa, SV 163Claudio Monteverdi, Magdalena Kozená, Jakob Pilgram, Michael Feyfar, Luca Tittoto, La Cetra Barockorchester Basel, Andrea MarconA Minor18A173 BPM
Suite in D Minor: II. Tombeau de Mezangeau by Vieux Gaultier, Hopkinson SmithSuite in D Minor: II. Tombeau de MezangeauVieux Gaultier, Hopkinson SmithE♭ Major25B127 BPM
Airs de cour avec la tablature de luth: Alors que d'un discours hardy by Antoine Boësset, Ensemble A Deux Violes Esgales, Monique ZanettiAirs de cour avec la tablature de luth: Alors que d'un discours hardyAntoine Boësset, Ensemble A Deux Violes Esgales, Monique ZanettiC Major88B123 BPM
Who made thee, Hob, forsake the Plough? by William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor ConsortWho made thee, Hob, forsake the Plough?William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor ConsortA♭ Major24B101 BPM
Zappay [lo campo] by Capella de Ministrers, Carles MagranerZappay [lo campo]Capella de Ministrers, Carles MagranerC Major38B115 BPM
Membra Jesu Nostri, BuxWV 75, Ad pedes: Salve mundi salutare by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias ViewegMembra Jesu Nostri, BuxWV 75, Ad pedes: Salve mundi salutareDietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias ViewegC Minor25A90 BPM
Ballet des fous et des estropiés de la cervelle: III. Entrée des Fantasques by Anonymous, Le Poème Harmonique, Vincent DumestreBallet des fous et des estropiés de la cervelle: III. Entrée des FantasquesAnonymous, Le Poème Harmonique, Vincent DumestreG Major19B112 BPM
Zefiro torna by Claudio Monteverdi, Concerto Italiano, Rinaldo AlessandriniZefiro tornaClaudio Monteverdi, Concerto Italiano, Rinaldo AlessandriniG Major19B131 BPM
All'imperio d'Amore: 5. Ineffabile ardore a 6 All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo"Giulio Caccini, Ensemble Pygmalion, Raphael PichonB♭ Major26B113 BPM
ISRC
FRZ141504310
Label
L-M Records/RCA Records

Section: 0.5589385032653809

End: 0.5634124279022217