"Concerto in F Minor, BWV. 1056. I. Adagio - Slowed + Reverb" by slowed nation, sped up nation, Alfred Cortot was released on March 25, 2024. The duration of Concerto in F Minor, BWV. 1056. I. Adagio - Slowed + Reverb is about 3 minutes long, at 3:29. Based on our data, "Concerto in F Minor, BWV. 1056. I. Adagio - Slowed + Reverb" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 3 in Concerto in F Minor, BWV. 1056. I. Adagio (Slowed & Sped Up + Reverb) by slowed nation, sped up nation, Alfred Cortot. In terms of popularity, Concerto in F Minor, BWV. 1056. I. Adagio - Slowed + Reverb is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto in F Minor, BWV. 1056. I. Adagio - Slowed + Reverb by slowed nation, sped up nation, Alfred Cortot is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mysterious Serenity | Ivory Chords | D♭ Major | 1 | 3B | 95 BPM | ||
Rêve (Version for String Quintet) | Alfredo D'Ambrosio, Archos Quartet, Mio Tamayama | E♭ Major | 1 | 5B | 72 BPM | ||
Lieder ohne Worte I, Op. 19b: No. 6 in G Minor, Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Howard Shelley | G Minor | 0 | 6A | 65 BPM | ||
Come Thou Fount with Day by Day | Only God Choir | E♭ Major | 3 | 5B | 93 BPM | ||
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins | Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM | ||
Referee | Sheavy | A♭ Minor | 0 | 1A | 75 BPM | ||
Prelude Op. 23 No. 10 in G-Flat Major: Largo | Sergei Rachmaninoff, Park Eun Shik | B Major | 0 | 1B | 73 BPM | ||
Trois études poétiques, Op. 32: I. Étude poétique | Signe Lund, Rune Alver | C Major | 0 | 8B | 64 BPM | ||
Rachmaninov: 6 Morceaux, Op. 11: No. 1, Barcarolle | Sergei Rachmaninoff, Alexandre Tharaud, Aleksandar Madzar | A♭ Major | 1 | 4B | 109 BPM | ||
Gymnopédie No. 1 | Erik Satie, WhistleBlast Quartet | G Major | 1 | 9B | 172 BPM |
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