Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti made "Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: II. Courente - Double" available on February 17, 2023. The duration of Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: II. Courente - Double is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: II. Courente - Double's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 46 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: II. Courente - Double is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: II. Courente - Double by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les plaisirs: Air pour le Vieillard et sa Famille | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 118 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: I. Andante Lento | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Zweistimmigen Sonaten und Suiten: Sonata in D Major for Violin, Viola da Gamba, and Continuo | Dietrich Becker, Dorian Komanoff Bandy, Hank Knox, Elinor Frey | D♭ Major | 3 | 3B | 180 BPM | ||
Concerto in D Minor; Op. 6 No. 5: II. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 3 | 12A | 135 BPM | ||
Flute Concerto in D Minor, QV 5:81: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 137 BPM | ||
Mystery (Rosary) Sonata No. 6, "Christ on the Mount of Olives"*: I. Lamento | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Minor | 1 | 10A | 145 BPM | ||
Ciaccona in A Major | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Major | 1 | 4B | 135 BPM | ||
Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: X. Largo | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | D Minor | 0 | 7A | 97 BPM |
Section: 0.6682512760162354
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