Luigi Denza, Harry Macdonough, Lambert Murphy, John McCormack, Reinald Werrenrath, Studio Orchestra made "Funiculi, funicula" available on September 1, 2007. The duration of Funiculi, funicula is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Funiculi, funicula's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John McCormack, Walter B. Rogers's "Mccormack, John: Mccormack Edition, Vol. 5: The Acoustic Recordings (1914-1915)" album is number 16 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Funiculi, funicula's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Funiculi, funicula by Luigi Denza, Harry Macdonough, Lambert Murphy, John McCormack, Reinald Werrenrath, Studio Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Aida, Act II: Marcha triunfal | Waldo De Los Ríos | E♭ Major | 5 | 5B | 88 BPM | ||
Midnight In Moscow | Vasili (Pavlovich) Soloviev-Sedoy, Aida Garifullina, Osipov State Russian Folk Orchestra, Vitaly Gnutov | A Minor | 3 | 8A | 120 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Fruhlingsstimmen (Voices Of Spring), Op. 410 | Strauss Festival Orchestra, Johann Strauss II | B♭ Major | 1 | 6B | 99 BPM | ||
Tritsch-tratsch-polka, Op. 309: Polka | Johann Strauss II, Rundfunkorchester des Südwestfunk, Klaus Arp | A♭ Major | 5 | 4B | 172 BPM | ||
Core 'ngrato (Arr. Chiaramello) | Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E♭ Major | 3 | 5B | 84 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
J'ai peur de l'aimer | Luigi Denza, Annette Betanski, James Sommerville, Rena Sharon | G Major | 0 | 9B | 168 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM |
Section: 0.7232844829559326
End: 0.7278079986572266