Tarquinio Merula, Simone Kermes, Enrico Casazza's 'Chi vuol ch'io m'innamori' came out on March 4, 2016. The duration of Chi vuol ch'io m'innamori is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Chi vuol ch'io m'innamori's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Simone Kermes's "Love" album is number 10 out of 17. Chi vuol ch'io m'innamori is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chi vuol ch'io m'innamori by Tarquinio Merula, Simone Kermes, Enrico Casazza to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ciaccona in C Major, ITM. 18 (Arr. for Solo Piano) | Tarquinio Merula, Jean-Pierre de Carpentras | C Major | 2 | 8B | 135 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Prothimia suavissima, Book 2: Sonata No. 11 | Antonio Bertali, Christopher Verrette, J. Tracy Mortimore, Dominic Teresi, Greg Ingles, Webb Wiggins, Chatham Baroque | G Minor | 2 | 6A | 104 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
29 Partite sopra l'aria della Folia (Arr. for Recorder, Cello, Harpsichord & Guitar by D. Oberlinger) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 2 | 12A | 129 BPM | ||
Ave Maria a 6 voci | Francesco Usper, The Marian Consort, The Illyria Consort, Rory McCleery, Bojan Čičić | F♯ Major | 2 | 2B | 86 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM |
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