"Medea (Medee) (Sung in Italian): Act II: Recitative: Creonte a me solo (Medea, Neris, Giasone) - No. 11. Duet: Figli miei (Medea, Giasone)" by Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli was released on July 15, 2014. Since Medea (Medee) (Sung in Italian): Act II: Recitative: Creonte a me solo (Medea, Neris, Giasone) - No. 11. Duet: Figli miei (Medea, Giasone) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 19 in Cherubini: Medea by Luigi Cherubini, Lamberto Gardelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Medea (Medee) (Sung in Italian): Act II: Recitative: Creonte a me solo (Medea, Neris, Giasone) - No. 11. Duet: Figli miei (Medea, Giasone) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Medea (Medee) (Sung in Italian): Act II: Recitative: Creonte a me solo (Medea, Neris, Giasone) - No. 11. Duet: Figli miei (Medea, Giasone) by Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Dixit Dominus Domino meo | George Frideric Handel, The Scholars Baroque Ensemble | F♯ Minor | 2 | 11A | 102 BPM | ||
Pavane, Op. 50 (version for choir and orchestra) | Gabriel Fauré, OSJ Voices, St. John's Orchestra, John Lubbock | F♯ Minor | 0 | 11A | 139 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre moleste | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda Fink | F Minor | 0 | 4A | 81 BPM | ||
Danza Degli Spettri e Delle Furie: Allegro non troppo | Christoph Willibald Gluck, Il Giardino Armonico, Giovanni Antonini | A Major | 4 | 11B | 149 BPM |
Section: 0.7403123378753662
End: 0.7441117763519287