"The Nutcracker, Op. 71, TH 14: Act II: No. 12b, Divertissement. Coffee (Arabian Dance)" by Pyotr Ilyich Tchaikovsky, Leonard Slatkin, St. Louis Symphony was released on January 1, 1990. The duration of The Nutcracker, Op. 71, TH 14: Act II: No. 12b, Divertissement. Coffee (Arabian Dance) is about 3 minutes long, at 3:05. Based on our data, "The Nutcracker, Op. 71, TH 14: Act II: No. 12b, Divertissement. Coffee (Arabian Dance)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Tchaikovsky for Relaxation". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, The Nutcracker, Op. 71, TH 14: Act II: No. 12b, Divertissement. Coffee (Arabian Dance)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nutcracker, Op. 71, TH 14: Act II: No. 12b, Divertissement. Coffee (Arabian Dance) by Pyotr Ilyich Tchaikovsky, Leonard Slatkin, St. Louis Symphony having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Nocturne en mi bémol majeur opus 9 n°2: Ballade en Sol Mineur No.1 | Frédéric Chopin, Luis Fernando Pérez | E♭ Major | 0 | 5B | 61 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 131 BPM |
Section: 0.5684096813201904
End: 0.572321891784668