"Trumpet Concerto, Op. 7 No. 6: III. Allegro" by Tomaso Albinoni, Sandro Verzari, Arturo Sacchetti was released on August 1, 2014. The duration of Trumpet Concerto, Op. 7 No. 6: III. Allegro is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Trumpet Concerto, Op. 7 No. 6: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Tromba e organo". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Italy. Trumpet Concerto, Op. 7 No. 6: III. Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trumpet Concerto, Op. 7 No. 6: III. Allegro by Tomaso Albinoni, Sandro Verzari, Arturo Sacchetti having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Oboes, Strings and Basso Continuo in G Major, Op. 9 No. 6: II. Adagio non troppo | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | E Minor | 2 | 9A | 68 BPM | ||
Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | ||
Violin Concerto in C Major, Hob.VIIa:1: II. Adagio | Joseph Haydn, Augustin Hadelich, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 131 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro | Arcangelo Corelli, Trio Sonnerie | E♭ Major | 3 | 5B | 117 BPM | ||
Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
12 Trio Sonatas, Op. 1, Sonata I in D Minor, Talm I,1: II. Allegro | Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo | F Major | 2 | 7B | 108 BPM | ||
Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
Oboe Concerto in D minor - Adagio | Alessandro Marcello, Senia Trubashnik, Luxembourg Radio Symphony Orchestra, Kurt Redel | C Minor | 1 | 5A | 71 BPM |
Section: 0.8213944435119629
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