"Charpentier : Médée, Act 5: "Eh bien, barbare" (Médée, Créuse, Nérine, Cléone)" by Marc-Antoine Charpentier, William Christie, Les Arts Florissants was released on March 28, 1995. With Charpentier : Médée, Act 5: "Eh bien, barbare" (Médée, Créuse, Nérine, Cléone) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 62 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Charpentier : Médée, Act 5: "Eh bien, barbare" (Médée, Créuse, Nérine, Cléone) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier : Médée, Act 5: "Eh bien, barbare" (Médée, Créuse, Nérine, Cléone) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Le Concert royal de la Nuit, Grand Ballet, Le Soleil: Les Planètes - Entrée du Roy représentant le Soleil levant - Entrée des Génies | Anonymous, Ensemble Correspondances, Sébastien Daucé | F♯ Minor | 1 | 11A | 62 BPM | ||
Andante in E Minor (pipe organ) | Giovanni Andrea Fioroni, Pastór de Lasala | D♭ Minor | 0 | 12A | 72 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Gavotte (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | B♭ Major | 3 | 6B | 75 BPM | ||
Alcidiane: Chaconne des Maures | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 80 BPM | ||
Noel Symphony No. 4 in D Minor: II. Allegro | Michel Corrette, Arion Trio | A Minor | 1 | 8A | 174 BPM | ||
Missa Sancti Georgii: VI. Agnus Dei | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | B♭ Major | 2 | 6B | 73 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Stephen Cleobury | B Major | 1 | 1B | 175 BPM |
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