"Souvenir de Florence in D Major, Op. 70: II. Adagio cantabile e con moto" by Borodin Quartet, Gennady Rozhdestvensky, Mstislav Rostropovich, Heinrich Talayan was released on January 22, 2014. Souvenir de Florence in D Major, Op. 70: II. Adagio cantabile e con moto appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "Tchaikovsky: The Greatest Hits". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. In terms of popularity, Souvenir de Florence in D Major, Op. 70: II. Adagio cantabile e con moto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Souvenir de Florence in D Major, Op. 70: II. Adagio cantabile e con moto by Borodin Quartet, Gennady Rozhdestvensky, Mstislav Rostropovich, Heinrich Talayan having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: String Quartet No. 1 in C Minor, Op. 51 No. 1: II. Romanze (Poco adagio) | Johannes Brahms, Quatuor Ébène | A♭ Major | 0 | 4B | 78 BPM | ||
Paganiniana (Variations) For Violin Solo | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | C Major | 1 | 8B | 129 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 2. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Major | 5 | 9B | 126 BPM | ||
Bartók: String Quartet No. 4 in C Major, Sz. 91: V. Allegro molto | Béla Bartók, Belcea Quartet | G Major | 4 | 9B | 116 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM |
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