"Arabella, Op. 79 / Act 1: Mein Elemer! ... Nach dem Matteo sehnt sich" by Richard Strauss, Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate was released on January 1, 1987. The duration of Arabella, Op. 79 / Act 1: Mein Elemer! ... Nach dem Matteo sehnt sich is about 3 minutes long, at 3:14. Based on our data, "Arabella, Op. 79 / Act 1: Mein Elemer! ... Nach dem Matteo sehnt sich" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 40 in the song's album "Strauss, R.: Arabella". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Arabella, Op. 79 / Act 1: Mein Elemer! ... Nach dem Matteo sehnt sich is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arabella, Op. 79 / Act 1: Mein Elemer! ... Nach dem Matteo sehnt sich by Richard Strauss, Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Der Rosenkavalier op. 59: Mein schöner Schatz | Richard Strauss, Metropolitan Opera Orchestra, Fritz Reiner, Rise Stevens, Eleanor Steber | G Major | 2 | 9B | 84 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Linda di Chamounix, A. 62: Sinfonia | Gaetano Donizetti, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Lachian Dances, JW VI/17: No. 2. Pozehnany (Blessed) | Leoš Janáček, WDR Sinfonieorchester Köln, Gerd Albrecht | F Major | 1 | 7B | 60 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM |
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