"Mamma mia, che vo' sapé" by Emanuele Nutile, Richard Tucker, Alfredo Antonini, Columbia Concert Orchestra was released on 1950. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 163 in the song's album "Richard Tucker: The Song and Cantorial Album Collection". In this album, this song's track order is #5. In terms of popularity, Mamma mia, che vo' sapé is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mamma mia, che vo' sapé by Emanuele Nutile, Richard Tucker, Alfredo Antonini, Columbia Concert Orchestra having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci, Act I, Scene 3: Recitar! ... Vesti la giubba | Ruggero Leoncavallo, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
La vestale, Act I: Scène. Grands dieux ! Soutenez ma faiblesse | Gaspare Spontini, Marina Rebeka, Aude Extrémo, Stanislas de Barbeyrac, Tassis Christoyannis, Nicolas Courjal, David Witczak, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
Donizetti: Roberto Devereux, Act 1: "Un tenero core mi rese felice" (Elisabetta, Roberto) [Live] | Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden | D Major | 0 | 10B | 171 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Les Pêcheurs de perles: Qu'ai-je vu? (Zurga, Leïla) | Georges Bizet, Ernest Blanc/Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Major | 0 | 10B | 88 BPM | ||
Il Pirata, Act II: Io... sì... lo rinverrò | Vincenzo Bellini, Felice Romani, Franco Vassallo, Marina Rebeka, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Francesca da Rimini, Op. 4: Paolo datemi pace! | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | D Major | 1 | 10B | 93 BPM | ||
La Canción del Olvido: "Canción de Leonello" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Manuel Ausensi | D Major | 4 | 10B | 99 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
Andrea Chénier, Act IV: Come un bel dì di maggio | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F♯ Minor | 2 | 11A | 82 BPM |
Section: 0.849846601486206
End: 0.8576054573059082