"Ave Maria" by Robert Nathaniel Dett, Nathaniel Dett Chorale was released on October 29, 2002. The duration of Ave Maria is about 3 minutes long, at 3:25. Based on our data, "Ave Maria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Robert Nathaniel Dett, Nathaniel Dett Chorale's "Listen To The Lambs - The Music Of R. Nathaniel Dett" album is number 12 out of 13. On top of that, Canada appears to be the country where this track was created. Ave Maria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria by Robert Nathaniel Dett, Nathaniel Dett Chorale to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Schumann: Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andante grazioso | Robert Schumann, Otto Klemperer, Annie Fischer, Philharmonia Orchestra | F Major | 0 | 7B | 84 BPM | ||
3 Romances sans paroles, Op. 17, No. 3 | Gabriel Fauré, Thérèse Ryan, Francine Chabot | A Major | 0 | 11B | 85 BPM | ||
The Ordering of Moses: No. 3, O Lord, Behold My Affliction (Live) | Robert Nathaniel Dett, May Festival Chorus, Cincinnati Symphony Orchestra, Unknown Artist, James Conlon | C Major | 1 | 8B | 81 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Paraphrase after different Waltzes (Transcr. for Piano by Florian Noack) | Johann Strauss II, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
6 Etudes, Op. 111: IV. Les cloches de Las Palmas | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Septet in E-Flat Major, Op. 65: I. Préambule. Allegro moderato – Più allegro | Camille Saint-Saëns, Nash Ensemble | F Minor | 0 | 4A | 96 BPM | ||
Paris In April | Winfred Jeremiah | B♭ Major | 1 | 6B | 91 BPM | ||
33 Miniatures for Piano (Excerpts): No. 32, Sostenuto | Giya Kancheli, Elisaveta Blumina | E Minor | 0 | 9A | 76 BPM |
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