Johann Strauss II, Florian Noack made "Paraphrase after different Waltzes (Transcr. for Piano by Florian Noack)" available on March 8, 2024. Paraphrase after different Waltzes (Transcr. for Piano by Florian Noack) is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Florian Noack's "I Wanna Be Like You" album is number 9 out of 18. On top of that, France appears to be the country where this track was created. In terms of popularity, Paraphrase after different Waltzes (Transcr. for Piano by Florian Noack) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Paraphrase after different Waltzes (Transcr. for Piano by Florian Noack) by Johann Strauss II, Florian Noack to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 5 | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | ||
Prelude in G major, Op. 32, No. 5 | Sergei Rachmaninoff, Valentin Magyar | G Major | 0 | 9B | 173 BPM | ||
Moods, Impressions & Souvenirs, Op. 41, Book 1: No. 44 in B-Flat Major: Andante | Zdeněk Fibich, William Howard | B♭ Major | 0 | 6B | 66 BPM | ||
Variations on a Theme of Chopin, Op. 22: Var. 17 in B-Flat Minor. Grave | Sergei Rachmaninoff, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Carnaval, Op. 9: XII. Chopin. Agitato | Robert Schumann, Marc-André Hamelin | A♭ Major | 0 | 4B | 110 BPM | ||
L'Art de varier, Op. 57: Variation 35 | Antoine Reicha, Ivan Ilic | F Major | 2 | 7B | 114 BPM | ||
Egyptischer Marsch (Egyptian March), Op. 335 | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | E Minor | 2 | 9A | 106 BPM | ||
4 Preludes, Op. 22: No. 4 in B Minor, Andantino | Alexander Scriabin, Dmitry Rachmanov | A♭ Minor | 1 | 1A | 69 BPM | ||
Gray Prelude | Christian Schittenhelm, Svetlana Andreeva | F Minor | 1 | 4A | 68 BPM | ||
Three Preludes, RT IX/8: I. Scherzando | Frederick Delius, Yaara Tal | D Major | 1 | 10B | 127 BPM |
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