Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza's 'Gli strali d'amore (after Italian arias by A. Campra): Recitative: Idolo mio, t'arresta (Lelio)' came out on October 4, 2011. With Gli strali d'amore (after Italian arias by A. Campra): Recitative: Idolo mio, t'arresta (Lelio) being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 34 in Campra: Gli strali d'amore by Fabio Bonizzoni. In terms of popularity, Gli strali d'amore (after Italian arias by A. Campra): Recitative: Idolo mio, t'arresta (Lelio) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gli strali d'amore (after Italian arias by A. Campra): Recitative: Idolo mio, t'arresta (Lelio) by Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 6 | 10A | 110 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
La Senna festeggiante, RV 693: Part I: Aria: Se qui pace tal'hor va cercando (L'Eta dell'Oro) | Antonio Vivaldi, Yetzabel Arias Fernandez, Martin Oro, Sergio Foresti, Fabio Bonizzoni, La Risonanza | F♯ Minor | 1 | 11A | 89 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
Gli strali d'amore (after Italian arias by A. Campra): Recitative: Come, come dar fede (Leonora) | Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza | E♭ Minor | 2 | 2A | 0 BPM | ||
Concerto III Do minore RV 119: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 3 | 5A | 146 BPM | ||
Conservate, raddoppiate, HWV 185: Nodi voi | George Frideric Handel, Rossana Bertini, Claudio Cavina, Paul Beier, Fabio Bonizzoni | F♯ Major | 1 | 2B | 119 BPM | ||
Sono liete, HWV 194: Non avran mai | George Frideric Handel, Rossana Bertini, Claudio Cavina, Paul Beier, Fabio Bonizzoni | D♭ Minor | 3 | 12A | 107 BPM |
Section: 0.9329395294189453
End: 0.9370872974395752