"Geistliche Chormusik, Op. 11: 23. Selig sind die Toten, SWV 391" by Heinrich Schütz, Ulrike Hofbauer, Stefan Kunath, Tobias Mäthger, Jan Kobow, Felix Schwandtke, Hille Perl, Dresdner Kammerchor, Hans-Christoph Rademann was released on September 1, 2007. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Heinrich Schütz, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann's "Heinrich Schütz: Geistliche Chor-Music 1648 (Complete Recording Vol. 1)" album is number 5 out of 29. Based on our statistics, Geistliche Chormusik, Op. 11: 23. Selig sind die Toten, SWV 391's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Chormusik, Op. 11: 23. Selig sind die Toten, SWV 391 by Heinrich Schütz, Ulrike Hofbauer, Stefan Kunath, Tobias Mäthger, Jan Kobow, Felix Schwandtke, Hille Perl, Dresdner Kammerchor, Hans-Christoph Rademann to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ha di serp'il velen, di tigr'il morso | Sigismondo D'India, Consort Of Musicke, Anthony Rooley | A Minor | 6 | 8A | 100 BPM | ||
Pasión: Vere Languóres. Alto Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Missa Noe Noe: II. Gloria | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | D Minor | 1 | 7A | 124 BPM | ||
Missa ex B: XVII. Et resurrexit tertia die - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 2 | 6B | 136 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM | ||
Missa ex B: XI. Credo - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 86 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Introitus: II. Te decet hymnus Deus in Sion | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 81 BPM |
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