24 Caprices, Op. 1: No. 24 in A Minor: Tema quasi presto
Niccolò Paganini, Leonidas Kavakos
Paganini: 24 Caprices
4:08 January 1, 1994
BPM
85
Key
G Major
Camelot
9B

Embed

Share Link

24 Caprices, Op. 1: No. 24 in A Minor: Tema quasi presto - Niccolò Paganini, Leonidas Kavakos Information

Acousticness
100%
Danceability
28%
Energy
3%
Instrumentalness
92%
Liveness
14%
Loudness
49%
Speechiness
4%
Valence
30%
Popularity
Loudness
-30.65 dB

Summary

Niccolò Paganini, Leonidas Kavakos's '24 Caprices, Op. 1: No. 24 in A Minor: Tema quasi presto' came out on January 1, 1994. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Italy. 24 Caprices, Op. 1: No. 24 in A Minor: Tema quasi presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

24 Caprices, Op. 1: No. 24 in A Minor: Tema quasi presto BPM

With 24 Caprices, Op. 1: No. 24 in A Minor: Tema quasi presto by Niccolò Paganini, Leonidas Kavakos having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

24 Caprices, Op. 1: No. 24 in A Minor: Tema quasi presto Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 by Janos Sebestyen, Johann Sebastian BachFantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906Janos Sebestyen, Johann Sebastian BachC Minor35A107 BPM
Symphonie espagnole, Op. 21: V. Rondo by Édouard Lalo, Itzhak Perlman, André Previn, London Symphony OrchestraSymphonie espagnole, Op. 21: V. RondoÉdouard Lalo, Itzhak Perlman, André Previn, London Symphony OrchestraD Major210B109 BPM
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace by RCA Victor Symphony Orchestra & William SteinbergZigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivaceRCA Victor Symphony Orchestra & William SteinbergA♭ Major14B88 BPM
Perpetula, MS 66 (Arr. for Violin & Piano): I. Andante amoroso by Niccolò Paganini, Mario Hossen, Nadja HoebarthPerpetula, MS 66 (Arr. for Violin & Piano): I. Andante amorosoNiccolò Paganini, Mario Hossen, Nadja HoebarthB♭ Major16B175 BPM
La ronde des lutins, Op. 25 by Antonio Bazzini, Itzhak Perlman, David GarveyLa ronde des lutins, Op. 25Antonio Bazzini, Itzhak Perlman, David GarveyE Minor49A100 BPM
Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) by Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-SchottPassacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello)Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-SchottG Minor16A59 BPM
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) by Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von KarajanOrfeo Ed Euridice: Dance of the Blessed Spirits (Act II)Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von KarajanC Major18B75 BPM
3 Pieces for cello and piano: No. 1. Modere by Nadia Boulanger, Nicolas Altstaedt, José Gallardo3 Pieces for cello and piano: No. 1. ModereNadia Boulanger, Nicolas Altstaedt, José GallardoE♭ Minor02A87 BPM
Symphony No. 25 in G minor, K.183: 1. Allegro con brio by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville MarrinerSymphony No. 25 in G minor, K.183: 1. Allegro con brioWolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor26A80 BPM
Symphony No. 9 in E Minor, Op. 95 Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivaceAntonín Dvořák, New York Philharmonic, Alan GilbertC Major18B121 BPM
ISRC
ITN320900684
Label
L-M Records/RCA Records

Section: 0.7325053215026855

End: 0.7375187873840332