Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello)
Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-Schott
Duo Sessions
5:59 September 9, 2016
BPM
59
Key
G Minor
Camelot
6A

Embed

Share Link

Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) - Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-Schott Information

Acousticness
91%
Danceability
28%
Energy
15%
Instrumentalness
72%
Liveness
13%
Loudness
67%
Speechiness
6%
Valence
22%
Popularity
Loudness
-20.094 dB

Summary

Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-Schott's 'Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello)' came out on September 9, 2016. Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The song is number 12 out of 12 in Duo Sessions by Julia Fischer, Daniel Müller-Schott. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) BPM

The tempo marking of Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) by Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-Schott is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderato by Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey KahaneViolin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderatoJohann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey KahaneA Minor38A105 BPM
Turandot, Act III: Nessun dorma (arr. for orchestra) by Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil TabakovTurandot, Act III: Nessun dorma (arr. for orchestra)Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil TabakovD Major110B85 BPM
Three Romances for Violin & Piano, Op. 22: III. Leidenschaftlich schnell by Clara Schumann, Nurit Stark, Cédric PesciaThree Romances for Violin & Piano, Op. 22: III. Leidenschaftlich schnellClara Schumann, Nurit Stark, Cédric PesciaG Major19B89 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsC Major18B68 BPM
Abdelazar Suite, Z. 570: VI. Air by Henry Purcell, Camerata Nordica, Terje TonnesenAbdelazar Suite, Z. 570: VI. AirHenry Purcell, Camerata Nordica, Terje TonnesenG Minor26A131 BPM
Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto by Franz Schubert, Thomas Demenga, Hansheinz Schneeberger, Jörg Ewald DählerPiano Trio No.2 in E flat, Op.100 D.929: 2. Andante con motoFranz Schubert, Thomas Demenga, Hansheinz Schneeberger, Jörg Ewald DählerC Minor05A96 BPM
The Last Rose of Summer The Last Rose of Summer "Étude No. 6"Heinrich Wilhelm Ernst, MidoriG Major09B98 BPM
Allegro con fuoco by Frédéric Chopin, Vladimir HorowitzAllegro con fuocoFrédéric Chopin, Vladimir HorowitzD Major310B86 BPM
Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 "The Bells of Moscow"Sergei Rachmaninoff, Alexandre TharaudF♯ Minor111A77 BPM
La Mélancolie by Johan Halvorsen, Neeme Järvi, Bergen Philharmonic Orchestra, Melina MandozziLa MélancolieJohan Halvorsen, Neeme Järvi, Bergen Philharmonic Orchestra, Melina MandozziF Minor24A99 BPM
ISRC
DEB951590212
Label
L-M Records/RCA Records

Section: 0.683814287185669

End: 0.6869645118713379