Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-Schott's 'Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello)' came out on September 9, 2016. Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The song is number 12 out of 12 in Duo Sessions by Julia Fischer, Daniel Müller-Schott. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) by Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-Schott is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderato | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | A Minor | 3 | 8A | 105 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Three Romances for Violin & Piano, Op. 22: III. Leidenschaftlich schnell | Clara Schumann, Nurit Stark, Cédric Pescia | G Major | 1 | 9B | 89 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto | Franz Schubert, Thomas Demenga, Hansheinz Schneeberger, Jörg Ewald Dähler | C Minor | 0 | 5A | 96 BPM | ||
The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Midori | G Major | 0 | 9B | 98 BPM | ||
Allegro con fuoco | Frédéric Chopin, Vladimir Horowitz | D Major | 3 | 10B | 86 BPM | ||
Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 "The Bells of Moscow" | Sergei Rachmaninoff, Alexandre Tharaud | F♯ Minor | 1 | 11A | 77 BPM | ||
La Mélancolie | Johan Halvorsen, Neeme Järvi, Bergen Philharmonic Orchestra, Melina Mandozzi | F Minor | 2 | 4A | 99 BPM |
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