Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer, Sandrine Piau, Sibylla Rubens made ""Falsche Welt, dir trau ich nicht" BWV 52: Sinfonia" available on March 7, 2007. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 65 in Bach: Cantatas Vol. 18 - Disc 1 by Johann Sebastian Bach, Ton Koopman. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, "Falsche Welt, dir trau ich nicht" BWV 52: Sinfonia is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of "Falsche Welt, dir trau ich nicht" BWV 52: Sinfonia by Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer, Sandrine Piau, Sibylla Rubens is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La villageoise | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 152 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Concerto for two Pianos (Harpsichords) and Orchestra in C Minor, BWV 1060: I. Allegro - Live | Johann Sebastian Bach, Anthony Paratore, Joseph Paratore, Bach Collegium München, Russell Gloyd | A Minor | 3 | 8A | 111 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante | Franz Schubert, Krystian Zimerman | F♯ Major | 0 | 2B | 61 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Cello Concerto in C Major, RV 398: II. Largo | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | A Minor | 0 | 8A | 115 BPM | ||
Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM |
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