"Suite for Cello and String Orchestra. II. Aria" by Victoria Yagling, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds was released on January 20, 2023. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Suite for Cello and String Orchestra. II. Aria only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Suite for Cello and String Orchestra. II. Aria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite for Cello and String Orchestra. II. Aria by Victoria Yagling, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Morceaux, Op. 11: No. 1, Prelude in B Minor (Transcr. for Cello and Piano) | Anatoly Lyadov, Sophie Kauer, Kunal Lahiry | G Major | 0 | 9B | 76 BPM | ||
3 Nocturnes, Op. 14: No. 1, Andante | Auguste Franchomme, Camille Thomas, Wolfgang Emanuel Schmidt | E Minor | 1 | 9A | 85 BPM | ||
Il Padrino (for Harp): Un poco liberamente | Nino Rota, Naoko Yoshino | F Minor | 0 | 4A | 83 BPM | ||
Poetic Tone Pictures, Op.85: III. In the Old Castle | Antonín Dvořák, Leif Ove Andsnes | A Minor | 1 | 8A | 120 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Lucerne Festival Strings, Achim Fiedler | G Minor | 1 | 6A | 131 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Pavane, Op. 50 (Arr. for Violin, Cello and Piano by Ehsan Mohagheghi Fard) | Gabriel Fauré, Eldbjørg Hemsing, Raphaela Gromes, Håvard Gimse | D Major | 2 | 10B | 81 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Minuet (Arr. Kempff for Piano) | George Frideric Handel, Seong-Jin Cho | G Minor | 0 | 6A | 73 BPM | ||
14 Romances, Op. 34: No. 1, The Muse (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E Minor | 1 | 9A | 86 BPM | ||
Intermezzi, Op. 117: No. 2 in B-Flat Minor | Johannes Brahms, Benjamin Grosvenor | B♭ Minor | 0 | 3A | 68 BPM |
Section: 0.5518639087677002
End: 0.5555028915405273