"Quatre Poèmes de Guillaume Apollinaire, FP 58: II. Carte postale" by Francis Poulenc, Pierre Bernac was released on 1952. With Quatre Poèmes de Guillaume Apollinaire, FP 58: II. Carte postale being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Soirée Française". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Quatre Poèmes de Guillaume Apollinaire, FP 58: II. Carte postale is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Quatre Poèmes de Guillaume Apollinaire, FP 58: II. Carte postale by Francis Poulenc, Pierre Bernac having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op.67: No. 5. Moderato In B Minor, MWV U 184 - "The Shepherd's Complaint" | Felix Mendelssohn, Daniel Barenboim | B Minor | 0 | 10A | 126 BPM | ||
Les Chants du Rhin for Piano: V. Les confidences | Georges Bizet, Riccardo Zadra | E Major | 0 | 12B | 66 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
Pictures at an Exhibition: V. Ballet of the Chickens in Their Shells | Modest Mussorgsky, Steven Osborne | A Major | 0 | 11B | 73 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
13 Pieces, Op. 76: No. 11 Linnaea (Twinflower of the North) | Jean Sibelius, Håvard Gimse | D♭ Minor | 0 | 12A | 125 BPM | ||
6 Pieces, Op. 94: No. 1 Danse | Jean Sibelius, Håvard Gimse | G Major | 1 | 9B | 89 BPM | ||
Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | ||
Etude in A flat, Op. posth. " Méthode des méthodes " | Frédéric Chopin, Vladimir Ashkenazy | D♭ Major | 1 | 3B | 67 BPM | ||
Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM |
Section: 0.7923946380615234
End: 0.7985961437225342