Giovanni Picchi, Stella Simone made "Canzon À 4, Dita "La Bovia"" available on June 25, 2021. The duration of Canzon À 4, Dita "La Bovia" is about 3 minutes long, at 3:20. Based on our data, "Canzon À 4, Dita "La Bovia"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Picchi: Complete Harpsichord Music and Other Venetian Gems". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Netherlands. Canzon À 4, Dita "La Bovia" is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Canzon À 4, Dita "La Bovia" by Giovanni Picchi, Stella Simone having a BPM of 53 with a half-time of 26 BPM and a double-time of 106 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Major, Op. 6, No. 1: II. Larghetto | Tomaso Albinoni, Ensemble Barocco Sans Souci | B Major | 0 | 1B | 103 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Concert XXV | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | C Minor | 0 | 5A | 112 BPM | ||
Sonata No. 3 in B Minor, "The Nativity": III. Double | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | B♭ Minor | 3 | 3A | 159 BPM | ||
Confitebor tibi I | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Pieces de violes avec la basse chifree: Suite No. 1 in E Minor: III. Courante | François Couperin, Mikko Perkola, Aapo Häkkinen | D♭ Major | 0 | 3B | 86 BPM | ||
La Noce Champêtre ou L'Himen Pastoral: IV. Menuet 1 & 2, Contredanse, Cotillon | Jean Hotteterre, Dorothee Oberlinger | B Major | 2 | 1B | 117 BPM | ||
Canzon seconda | Giovanni Picchi, Concerto Scirocco, Giulia Genini | D♭ Major | 2 | 3B | 56 BPM | ||
Pavane d'Angleterre – Galliarde - 6. Livre de Danceries - Branles de Pictou - 5. Livre de Danceries | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | E Minor | 1 | 9A | 86 BPM |
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