"La Bohème: Act III: Che facevi, che dicevi" by Giacomo Puccini, Plácido Domingo, Montserrat Caballé, Sherrill Milnes, Judith Blegen, Sir Georg Solti, London Philharmonic Orchestra was released on 1974. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 37 in the song's album "Puccini: La Bohème - The Sony Opera House". In this album, this song's track order is #28. La Bohème: Act III: Che facevi, che dicevi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème: Act III: Che facevi, che dicevi by Giacomo Puccini, Plácido Domingo, Montserrat Caballé, Sherrill Milnes, Judith Blegen, Sir Georg Solti, London Philharmonic Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
La fille du régiment / Act 1: "Pour mon âme quel destin" | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 66 BPM | ||
Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | A Minor | 1 | 8A | 168 BPM | ||
Cavalleria Rusticana: Easter Hymn | Pietro Mascagni, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | G Major | 1 | 9B | 157 BPM | ||
Puccini: Tosca, Act 3 Scene 2: "E lucevan le stelle" (Cavaradossi) | Giacomo Puccini, Marcello Viotti, Muenchner Rundfunkorchester | B Minor | 1 | 10A | 91 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre a ta voix | Camille Saint-Saëns, Lauris Elms, Geoffrey Arnold, West Australian Symphony Orchestra | F♯ Major | 1 | 2B | 81 BPM | ||
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM | ||
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM |
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