"Aus der ersten Duineser Elegie für drei Stimmen: VI. O und die Nacht... Ja også natta..." by Edvin Østergaard, Rainer Maria Rilke, Åsmund Bjørnstad, Tone Elisabeth Braaten, Per Kristian Amundrød, Ebba Rydh was released on November 3, 2023. The duration of Aus der ersten Duineser Elegie für drei Stimmen: VI. O und die Nacht... Ja også natta... is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Aus der ersten Duineser Elegie für drei Stimmen: VI. O und die Nacht... Ja også natta...'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 12 in Edvin Østergaard: Ørenslyd by Edvin Østergaard, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Aus der ersten Duineser Elegie für drei Stimmen: VI. O und die Nacht... Ja også natta... is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aus der ersten Duineser Elegie für drei Stimmen: VI. O und die Nacht... Ja også natta... by Edvin Østergaard, Rainer Maria Rilke, Åsmund Bjørnstad, Tone Elisabeth Braaten, Per Kristian Amundrød, Ebba Rydh is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Closing circle | Upside Down Upright Bass | A Major | 1 | 11B | 76 BPM | ||
L’Admonició Apocalíptica | Carme Fernández-Vidal, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM | ||
Violin Concerto No. 1: I. | Unsuk Chin, Berliner Philharmoniker, Sir Simon Rattle, Christian Tetzlaff | D Minor | 4 | 7A | 110 BPM | ||
Ave verum corpus à 2-3 | Josquin des Prez, Cut Circle, Jesse Rodin | F♯ Major | 2 | 2B | 133 BPM | ||
String Quartet No. 5: Movement I. | Philip Glass, Quatuor Molinari | A Minor | 1 | 8A | 85 BPM | ||
Sike-Edelic Soundwaves | Jane the Ripper | G Major | 0 | 9B | 129 BPM | ||
Příhody Lišky Bystroušky, JW I/9, Act I (Arr. for Voices, Choir & Chamber Orchestra by Fabrice Bollon): Andante | Leoš Janáček, The Lily's Project, Fabrice Bollon | D♭ Minor | 1 | 12A | 91 BPM | ||
Jackson Pollock (1950-51) for two Cellos: II Pollock Paints | Morton Feldman, Lucas Fels, Tobias Moster | E Minor | 0 | 9A | 64 BPM | ||
Ich sehe dich in tausend Bildern, Op.105, No. 1 | Max Reger, Huelgas Ensemble, Paul Van Nevel, Jos Van Immerseel | F♯ Minor | 0 | 11A | 72 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Vivace, capriccioso | György Ligeti, The Verona Quartet | D Major | 5 | 10B | 111 BPM |
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