"Milhaud: Cello Concerto No. 1, Op. 136: I. Nonchalant" by Darius Milhaud, Mstislav Rostropovich, Kent Nagano, London Symphony Orchestra was released on 1990. With this song being about 5 minutes long, at 5:13, "Milhaud: Cello Concerto No. 1, Op. 136: I. Nonchalant" by Darius Milhaud, Mstislav Rostropovich, Kent Nagano, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mstislav Rostropovich's "Milhaud, Honegger, Hoddinott & Moret: Works for Cello and Orchestra" album is number 1 out of 8. In terms of popularity, Milhaud: Cello Concerto No. 1, Op. 136: I. Nonchalant is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Milhaud: Cello Concerto No. 1, Op. 136: I. Nonchalant by Darius Milhaud, Mstislav Rostropovich, Kent Nagano, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Milhaud: La cheminée du roi René, Op. 205: I. Cortège | Darius Milhaud, Les Vents Français, Orchestra dell'Accademia Nazionale di Santa Cecilia, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma | E Minor | 1 | 9A | 65 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
Clarinet Concerto: I. Allegro | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Major | 2 | 11B | 128 BPM | ||
5 Bagatelles for clarinet and piano, Op.23: 3. Carol - Andantino semplice | Gerald Finzi, Emma Johnson, Malcolm Martineau | B♭ Major | 0 | 6B | 173 BPM | ||
Piano Concerto No. 2, Sz. 95: I. Allegro | Béla Bartók, Lang Lang, Sir Simon Rattle, Berliner Philharmoniker | D Major | 3 | 10B | 98 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Clarinet Concerto No. 2 in E flat major Op.74: III: Alla polacca | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Major | 0 | 7B | 93 BPM | ||
Schumann, Clara: Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Sophie Pacini | A♭ Major | 2 | 4B | 78 BPM |
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