- BPM
- 129
- Key
- D Major
- Camelot
- 10B
Chacona, BWV 1004: Para Violino Solo - Johann Sebastian Bach, André Mehmari, Emmanuele Baldini Information
- Acousticness
- 99%
- Danceability
- 42%
- Energy
- 4%
- Instrumentalness
- 75%
- Liveness
- 34%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 46%
- Popularity
- 5%
- Loudness
- -19.56 dB
Summary
Johann Sebastian Bach, André Mehmari, Emmanuele Baldini's ' "Chacona, BWV 1004: Para Violino Solo" was released on its scheduled release date, April 12, 2020. This song appears to be safe for all ages as it is not explicit. The song is number 4 out of 13 in Conversas com Bach by André Mehmari, Emmanuele Baldini. Going off of the ISRC code of this track, we detected that the origin of this track is from Brazil. Based on our statistics, Chacona, BWV 1004: Para Violino Solo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Chacona, BWV 1004: Para Violino Solo BPM
The tempo marking of Chacona, BWV 1004: Para Violino Solo by Johann Sebastian Bach, André Mehmari, Emmanuele Baldini is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Chacona, BWV 1004: Para Violino Solo Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | |
 | Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | |
 | Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | |
 | Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | |
 | Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | |
 | Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | |
 | Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM |
- ISRC
- BRYAN2000004
- Label
- L-M Records/RCA Records