Michael Praetorius, Chœur De Chambre De Namur, Ricercar Consort, Denis Menier's 'Es ist ein Ros entsprugen' came out on January 1, 1996. With Es ist ein Ros entsprugen being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ricercar Consort, La Fenice, Chœur De Chambre De Namur's "In dulci jubilo: Deutsche Barock Weihnacht" album is number 1 out of 33. Es ist ein Ros entsprugen is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Es ist ein Ros entsprugen by Michael Praetorius, Chœur De Chambre De Namur, Ricercar Consort, Denis Menier to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Angels from the Realms of Glory (Arr. Ledger) | Traditional, Sir Philip Ledger, Choir of King's College, Cambridge | G Major | 0 | 9B | 87 BPM | ||
Traditional: Ding dong! Merrily on High (After a French Noel from the 16th Century, arr. David Willcocks) | Choir of King's College, Cambridge, John Wells, David Willcocks | B Major | 2 | 1B | 73 BPM | ||
Ave Maria | William Byrd, Stile Antico | C Minor | 0 | 5A | 127 BPM | ||
Messiah, HWV 56, Pt. 1 (Ed. W. Shaw): No. 12, For unto Us a Child Is Born | George Frideric Handel, Concert Artists of Baltimore Symphonic Chorale, Baltimore Symphony Orchestra, Edward Polochick | G Major | 1 | 9B | 109 BPM | ||
Weihnachtsoratorium, BWV 248 - Teil 6: XI. Choral. "Nun seid ihr wohl gerochen" - Remastered | Johann Sebastian Bach, Dresdner Kreuzchor, Martin Flämig, Dresdner Philharmonie | D Major | 4 | 10B | 83 BPM | ||
O Oriens | Melissa Dunphy, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | ||
Ord: Adam Lay Ybounden | Boris Ord, Choir of King's College, Cambridge, Philip Ledger | D Major | 2 | 10B | 80 BPM | ||
Ave Maria | The Oxford Trinity Choir | F Major | 1 | 7B | 127 BPM | ||
O Radiant Dawn | James MacMillan, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | ||
Hodie Christus natus est (Christ the Lord is Born Today) | Anonymous, Orphei Drängar, Robert Sund | D Minor | 0 | 7A | 73 BPM |
Section: 0.5904011726379395
End: 0.5953752994537354