Choir of King's College, Cambridge, John Wells, David Willcocks made "Traditional: Ding dong! Merrily on High (After a French Noel from the 16th Century, arr. David Willcocks)" available on September 19, 2003. The duration of Traditional: Ding dong! Merrily on High (After a French Noel from the 16th Century, arr. David Willcocks) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Traditional: Ding dong! Merrily on High (After a French Noel from the 16th Century, arr. David Willcocks)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 18 in Carols from King's by Choir of King's College, Cambridge, David Willcocks. Traditional: Ding dong! Merrily on High (After a French Noel from the 16th Century, arr. David Willcocks) is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Traditional: Ding dong! Merrily on High (After a French Noel from the 16th Century, arr. David Willcocks) by Choir of King's College, Cambridge, John Wells, David Willcocks is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Drop, Drop, Slow Tears a 4 | Orlando Gibbons, Gabrieli, Paul McCreesh | E Major | 0 | 12B | 72 BPM | ||
Requiem: Introitus | Carl Rütti, Olivia Robinson, Edward Price, The Bach Choir, Jane Watts, Southern Sinfonia, David Hill | E Major | 0 | 12B | 134 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
The Prince of Denmark's March | Jeremiah Clarke, Martin Schellenberg | D Major | 1 | 10B | 126 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
And I saw a new heaven (Live) | Edgar Leslie Bainton, Choir of King's College, Cambridge, Daniel Hyde, Donal McCann | D Minor | 2 | 7A | 85 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Choir of King's College, Cambridge, Stephen Cleobury | C Major | 1 | 8B | 126 BPM | ||
Kodály: Missa brevis: II. Kyrie | Zoltán Kodály, Choir of King's College, Cambridge, Stephen Layton, Stephen Cleobury | D Major | 0 | 10B | 101 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM |
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