"Lieder ohne Worte, Op. 62 - Transcription for Cello and Piano by Alfred Piatti: I. Andante espressivo (No. 25)" by Felix Mendelssohn, Mischa Maisky, Sergio Tiempo was released on January 1, 2002. The duration of Lieder ohne Worte, Op. 62 - Transcription for Cello and Piano by Alfred Piatti: I. Andante espressivo (No. 25) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Lieder ohne Worte, Op. 62 - Transcription for Cello and Piano by Alfred Piatti: I. Andante espressivo (No. 25)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Mischa Maisky, Sergio Tiempo's "Mendelssohn: Cello Sonatas; Songs without Words" album is number 19 out of 23. On top of that, Germany appears to be the country where this track was created. Lieder ohne Worte, Op. 62 - Transcription for Cello and Piano by Alfred Piatti: I. Andante espressivo (No. 25) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder ohne Worte, Op. 62 - Transcription for Cello and Piano by Alfred Piatti: I. Andante espressivo (No. 25) by Felix Mendelssohn, Mischa Maisky, Sergio Tiempo to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For Violin And Piano In A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | César Franck, Itzhak Perlman, Vladimir Ashkenazy | D Major | 1 | 10B | 99 BPM | ||
5 Spanish Dances, Op. 12: I. Allegro brioso | Moritz Moszkowski, Mela Tenenbaum, Richard Kapp | C Major | 2 | 8B | 123 BPM | ||
Borodin - String Quartet No.2 in D major: Scherzo: Allegro | Alexander Borodin, Borodin Quartet | C Major | 2 | 8B | 121 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | C Minor | 1 | 5A | 83 BPM | ||
Five Pieces For Two Violins and Piano: III. Elegy | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | A Major | 1 | 11B | 92 BPM | ||
24 Preludes, Op. 28: Prelude No. 9 in E Major, Op. 28, No. 9 | Frédéric Chopin, Idil Biret | E Major | 0 | 12B | 78 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
String Quartet No. 1 in A Major: III. Scherzo: Prestissimo | Alexander Borodin, Budapest Haydn Quartet | C Major | 2 | 8B | 109 BPM | ||
Fantasiestücke, Op. 73: 1. Zart und mit Ausdruck | Robert Schumann, Martha Argerich, Mischa Maisky | F Major | 0 | 7B | 64 BPM | ||
Marche miniature viennoise | Fritz Kreisler, Joshua Bell, Paul Coker | D Major | 1 | 10B | 98 BPM |
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