Hilde Gueden, Regina Resnik, Eberhard Wächter, Erika Köth, Erich Kunz, Herbert von Karajan, Waldemar Kmentt, Wiener Philharmoniker, Walter Berry, Peter Klein's 'Die Fledermaus, Act III' came out on September 13, 2011. Since Die Fledermaus, Act III is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 34 in Die Fledermaus by Various Artists. Die Fledermaus, Act III is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Die Fledermaus, Act III by Hilde Gueden, Regina Resnik, Eberhard Wächter, Erika Köth, Erich Kunz, Herbert von Karajan, Waldemar Kmentt, Wiener Philharmoniker, Walter Berry, Peter Klein is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor, Act II: Il pallor, funesto, orrendo | Gaetano Donizetti, Zuzana Markova, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | E Minor | 2 | 9A | 114 BPM | ||
Les Pêcheurs de perles: Je frémis, je chancelle (Leïla, Zurga) | Georges Bizet, Janine Micheau/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | C Minor | 2 | 5A | 71 BPM | ||
Il Pirata, Act I: Parlarti ancor per poco | Vincenzo Bellini, Felice Romani, Javier Camarena, Franco Vassallo, Marina Rebeka, Sonia Fortunato, Gustavo de Gennaro, Antonio Di Matteo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Die Fledermaus: Act II: Finale: Herr Chevalier, ich grusse Sie (Eisenstein, Frank) | Johann Strauss II, Paul Armin Edelmann, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | A♭ Major | 1 | 4B | 69 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
The Bartered Bride: ACT I, Mařenka Kdybych se co takového | Bedřich Smetana, Dana Buresova, Jiří Bělohlávek, BBC Symphony Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Clos ta paupière | Charles Gounod, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
La forza del destino, Act IV, Scene I: Giunge qualcun; aprite | Giuseppe Verdi, Riccardo Zanellato, Simone Piazzola, Carlo Lepore, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | D Major | 0 | 10B | 73 BPM | ||
Son lo spirito che nega - from Mefistofele | Arrigo Boito, Erwin Schrott, Daniele Rustioni | C Major | 3 | 8B | 90 BPM |
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